Poetry

Featured image for ““Atlas Shrugged,” “Minotaur,” and “Ark””
Featured image for ““Three Generations of Imbeciles Are Enough,” “Sneer–Part 1,” and “Stay Through the Summer””
Featured image for “Kites”

Michael McQuillan

Kites

Grieving Gaza fathers fling kids’
paper kites on fires as Israel’s armed
force shoots down what stray winds
blow past yellow lines

Salty tears drown fleeting joy for
distraught tented children.
Featured image for ““Vega,” “Thinking About Symbiosis While Looking at a Spider’s Web,” “Glam Rats””
Featured image for ““Ritournelle 6,” ” Ritournelle 7,” and “Ritournelle 8””
Featured image for ““The World Hasn’t Told Him He Can’t,” “Lord and Lady of he Manor,” and “No One Has Made Me Feel So Pretty””

Short Story

Featured image for “Precious”

Elizabeth Creel

Precious

When I walked into my grandmother’s room at the retirement community, she asked, “Did it survive?”
It was the first time I’d heard her speak in person since I’d been in Indonesia for six months. She had recently been transferred to the memory care unit.
Featured image for “The Burden of a Wolf-Like Existence”

Mark Knego

The Burden of a Wolf-Like Existence

The wait staff must think we are quite the pair when we come into their restaurant. Seska is resplendent as always, in a green jacket, black T-shirt, purple leggings, shades, long, unruly, dirty blonde hair, excessive jewelry, and her generally disheveled sense of fashion. And I, of course, am me. I have hair shooting out from everywhere.
Featured image for “Divine Timing”

Maria Angeline Pennacchi

Divine Timing

The late summer breeze felt brisk with hints of autumn. Blowing across the water, it gently tossed her ponytail back and forth behind her. The sun was a deep orange glow, illuminating her chestnut hair with copper highlights as it reflected on the river like fire on water.
Featured image for “Brilliant Move”

Josh Greenfield

Brilliant Move

Sometimes the big decisions aren’t made: they just happen. My days at Alaska Ocean Products, the salmon cold storage plant that employed me, were numbered. Fish and Game had a date marked on their calendar to indicate the end of the season, and even before that date arrived, I would be up and on my way. Exactly in which direction, I had not completely decided.
Featured image for “They”

Katherine Orfinger

They

From above, the college was a series of rectangles. Cinderblock buildings painted industrial grey, a color somehow even more drab and unwelcoming than the standard cinderblock shade. The poorly maintained quad at the heart of campus was almost always empty aside from the occasional student trying to read on a blanket stretched out on the patchy grass.
Featured image for “Putting Down Roots in Waldo”

Joe Cappello

Putting Down Roots in Waldo

Bruno tried to shake off the dust from his black velvet slippers and beige silk pajama legs as he walked along the dirt road. But it was no use. The dirty grains stubbornly clung to his clothes no matter how hard he tried to shake them loose. He stopped and looked around at the unknown landscape, feeling like a prisoner who managed to escape, but from where and from whom he hadn’t a clue.
Featured image for “The Last Days of Atlantis”

Vincent Casaregola

The Last Days of Atlantis

Michael was trying to remember just when they’d started calling it “Atlantis.” He knew it had been much later than the first Central District Project, the one that included the combination office-condominium tower complex. Back then, they still radiated enthusiasm for a big project, and after that one had failed, they were too hurt and angry for that kind of ironic wordplay. Yes, it had been well after CDP, but when?

Long Short Story

Featured image for “That Monkey Deal”

Mark Wagstaff

That Monkey Deal

Nothing fails. There’s space. Formats once thought contemptible get multiple seasons. On stream. Box set. So much product. This shoot, this director, has notions. Wants gloss. He tells me: those shows in old times, those 70s shows, everything shone. Those bleached scenes, harsh edges from video stock. Everything told you: this is a show to watch. I’m not disinclined. We, all of us, crafts and trades, want resumes with name recognition. To say: yeah, I did that show with billion numbers. That show of which people talk fondly, when they’ve a thousand channels. Yeah, I was behind the lens on that show your sister streamed on her honeymoon night. We all want that. We want to believe this director isn’t some blowhard. So he wants gloss on everything. Gritty. Gritty gloss.
Featured image for “Lourdes”

Sandro F. Piedrahita

Lourdes

Fidel Castro, the man who had banned Christmas, was increasingly concerned about reports he had received about the apparition of a Holy Lady to an Afrocuban sixteen-year-old at a small grotto near a river close to the city of Holguín. The girl was apparently saying the Holy Lady appeared to her in blue and white robes – dressed exactly like Cubans’ Our Lady of Charity is portrayed – and had given her sundry messages about the fate of the Cuban people and its leader.

Creative Nonfiction

Featured image for “9/11”

Emily Bilman

9/11

During the interval of Augusto de Campos’ plurivocal poetry reading accompanied by his son, Cid on the guitar, a person from the audience turned on the short-wave radio to hear the news. I could hardly believe that while the living spaces of Sao Paulo, the most populous and popular of Brazilian cities, was being projected on a white screen, the twin-towers of New York’s Trade Centers had been bombed earlier by hijacked terrorist planes.
Featured image for “The Poetry of Rock”

L.A. Gabay

The Poetry of Rock

The only things in my bookbag were a small pack of Kleenex, five sticks of Big Red gum, and a copy of No One Here Gets Out Alive, the Jim Morrison biography by Jerry Hopkins and Danny Sugerman. It was April 1982, and I was nearing the end of Ms. Margo’s 7th grade English class at Great Neck North Middle School.
Featured image for “Welcome to Planet Earth”

Isaac Amend

Welcome to Planet Earth

Welcome to Planet Earth, where people lie to gain favors and cheat to win romance. Hookers get trampled on at the crack of sunset by men fiending for the unholy. Priests touch young children and fathers hit their wives. Trans women are murdered in Brazil and Morocco and in the banlieus of Paris. Gay men are called faggots over high school loudspeakers.
Featured image for “Two Species”

Shelli Rottschafer

Two Species

Today we have left one home for another. Taos is our heart-home, and Colorado’s Front Range is the other. Driving north on NM 522 which crosses the state border at Costilla and turns into CO 159 is our long goodbye. We have left midmorning, packed the Subaru, settled ice into the cooler, and loaded our dog through the hatchback to harrumph into his blanketed nest.